Napa
Valley:
A Legacy of Greatness
by
Randal Caparoso
The
late André TchelistcheffBeaulieu Vineyards' legendary winemaker
from 1938 to 1968was a giant among men. Actually, he stood
around 5'2", but his deep, slightly slanted Russian eyes, half-serious
and half-bemused, commanded military attention in every room he
stood.
Attendees
of a recent, annual meeting of sommeliers from across the country,
the Sommelier Summit, were treated to a symposium by other god-like
figures of the California wine industry: a panel consisting of Robert
and Margrit Mondavi, Justin Meyer of Silver Oak, Jamie Davies
of Schramsberg, Miljenko "Mike" Grgich of Grgich Hills,
and Agustin Huneeus of Franciscan and Quintessa. In baseball terms,
this would be like a meeting of Ted Williams, Joe DiMaggio, Hank
Aaron, Sandy Koufax and Willie Mays. These living legends reminisced
about the start of the "Golden Age" of California wine
in the 1960s. But always their memories came back to their collective
mentor, André Tchelistcheff, the man who revolutionized California
winemaking for them all.
In
an interview with Tchelistcheff on Maui in 1983, he said there were
about 4,000 acres of Cabernet Sauvignon planted in Napa Valley (today
there are over 15,000). Said Tchelistcheff in his usual convoluted
terms, "California's best red wine is Napa Valley Cabernet
Sauvignon. Within the 450 acres that we used to have in Beaulieu
Vineyards, I had only 40 acres that was [sic] able to produce 'Private
Reserve.' After 43 years of experience working in Napa Valley, I
can locate just specific sections, specific physical and chemical
constitutions of soil, that can create great Cabernet. I do not
believe that technology or science alone can replace natural elements.
Someday California will have an appellation of origin system similar
to France that will connect grape variety with particular regimes
of soil and climate."
In
1992 in Honolulu, Tchelistcheff was asked about the latest viticultural
advances in the news; in particular, the new technology of trellising
and vine "canopy management." This technology was resulting
in claims that even better and greater quantities of Napa Valley
Cabernet Sauvignon could be produced, as long as the fruit-to-leaf
ratio on vines are kept in proper balance. Suddenly a dark cloud
seemed to roll over Tchelistcheff's glowing eyes and he said, "That
is rubbishyou should not believe everything you read! You
must not forget that when it comes to the vineyard, Mother Nature
is still in charge, and Mother Nature has expressed her wish that
great vineyards should grow only so much great wine, and no more.
There is more Cabernet Sauvignon being grown in Napa Valley than
ever before, but there will never be more than a few Cabernets of
true 'Private Reserve' quality."
After
tasting three incredible line-ups of contemporary-style Napa Valley
Cabernet Sauvignon put together for the recent Sommelier Summit,
one should be inclined to believe Tchelistcheff.
In
one blind tasting involving 10 Cabernet Sauvignons from the very
heart of Napa Valley, known as the Rutherford Bench, the 1999 Beaulieu
Georges de Latour Private Reserve still held sway over more recently
established big names, such as Sullivan, Pine Ridge, Livingston
and Quintessa, as wonderful as they all were. Whereas the 1999 Sullivan
Reserve was thick and brawny, the 1999 Beaulieu was lush and velvety.
Whereas the 1999 Pine Ridge Rutherford was plump and round, the
1999 Beaulieu was dense and ramrod straight. Whereas the 1999 Quintessa
seemed to epitomize a controlled elegance, the 1999 Beaulieu seemed
to operate on a more natural, monumental scale. The B.V. Reserve
came across as the finest California Cabernet Sauvignon in years.
The
recent Legends of Napa Valley symposium proved that after all these
years, Schramsberg still makes probably the finest sparkling wine
in California. The 1997 Schramsberg Blanc de Blancs was beautifully
balanced, long, silky and sensuous. At that event Jamie Davies'
referred to her sparkling wine as Champagneas if to say, "I
don't care how incorrect it is to call a California wine by a French
regional name, I've always thought of my wine as Champagne (and
certainly as being as good as Champagne), so that's that."
Until there is another sparkler in this world that is as sinewy
dry yet unspeakably delicate, and with as breathtaking a scent (like
hot biscuits dabbed with honey) as the 1997 Schramsberg Blanc de
Blancs, the rest of us should be inclined to call it Champagne,
too!
There
are a number of other memorable wines coming from Napa Valley. It's
still a mecca, after all, in spite of the surge of great things
coming out of Sonoma, Santa Barbara, Mendocino and the like. Here
are other Napa Valley favorites, all of them as red as they come:
=
1999
Frog's Leap, Rutherford Cabernet SauvignonIn spite of
his predilection for wines that are 100 percent organically grown,
natural yeast fermented, and vinified without the use of sulphur,
Frog's Leap winemaker-proprietor John Williams has never made a
flaky Cabernet Sauvignon. In the 1999 vintage he combines a seriously
full feel and muscle-bound tannin with rich, almost sweetly layered
flavors of black currant-like Cabernet fruit, and aromas of wild
berries unfettered by the pungent, new oak qualities that seem to
be the rule rather than exception in contemporary Napa Valley-style
Cabernet Sauvignons.
=
1999 Dalla Valle, MayaThis is a proprietary label
made up of Cabernet Sauvignon (55%) and Cabernet Franc (45%). If
you assume that the large percentage of Cabernet Franc makes this
a lighter, gentler style of red wine than those dominated by the
classically robust Cabernet Sauvignon, guess again. The red rock-encrusted
soils of the Maya vineyard give a Cabernet Franc-infused wine that
is every bit as big, thick and explosive as any pure Cabernet Sauvignon.
The one small difference is the plethora of sweet, raspberry and
violet-like perfumes (as opposed to the black-curranty, minty aspects
of Cabernet Sauvignons) typical of the Cabernet Franc grape. This
wine is so strong, so concentrated, yet so wonderfully lush and
juicy, a preponderance of smoky oak aromatics only adds to the frame.
The 1999 Maya practically kicks you from behind in the teeth, but
you can't help smiling as you drink it down.
=
1999 Franciscan, Oakville MagnificatThis blend
of Cabernet Sauvignon (68%), Merlot (13%), Cabernet Franc (17%)
and Malbec (2%) is fashioned like the classic red wines of France's
Bordeauxthe combination of grape varieties adding up to a
dramatic and fascinating array of flavorsyet epitomizes the
soft, round, sun-kissed qualities of Napa Valley-grown red wine.
The Magnificat's sweetly suggestive, black cherry-like tone comes
wrapped in chocolaty nuances and rounded, harmonious (rather than
tyrannical) tannins. What an immensely satisfying wine.
=
1999 Mount Veeder ReserveLike the Magnificat, this
is a multi-grape blend (Cabernet Sauvignon with Merlot, Petite Verdot
and Malbec). But unlike the Magnificat, this is a mountain-grown
(rather than Napa Valley floor-grown) style of red winemeaning
an unrepentantly big, black, brazenly brawny structure, buoyed by
wonderfully concentrated aromas and flavors resembling sweet cassis
and blackberry liqueurs. The tannins are massive, but so is the
intensity of fruit, giving complete balance to the wine's exaggerated
scale. It's a big banger with charm to boot.
=
2000 Rudd Vineyards, Oakville Estate Proprietary RedThis
is a spanking new kid on the blockthe 2000 is proprietor Leslie
Rudd's first stab at a Bordeaux-style red (86% Cabernet Sauvignon,
with Cabernet Franc and Petite Verdot)and when it comes out
in October, 2002 all Cabernet Sauvignon-lovers should stand in line
for it. It's a doozy: positively oozing with red, black and blue
berry-like fruit, studded with smoky oak and tea-like notes in the
fragrance, slapping and strapping the palate with precociously intense
flavors filled out by perfectly rounded tannins. Does this estate
have the makings of a 21st century classic? One can't say for sure,
but probably even André Tchelisticheff would approve of the sheer
intelligence that is so apparent in this wine's intrinsic sense
of balance, scale, harmony and texture.
©
Randal Caparoso
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